Frame By Frame — King Crimson — Guitarama | аккорды, табулатуры, тексты песен, ноты

 #----------------------------------PLEASE NOTE---------------------------------# 
 #This file is the author's own work and represents their interpretation of the # 
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 #----------------------------------PLEASE NOTE---------------------------------# 
 #This file is the author's own work and represents their interpretation of the # 
 #song. You may only use this file for private study, scholarship, or research. # 
 #------------------------------------------------------------------------------## 
 Date:     Thu, 9 Apr 92 15:31:47 PDT 
 From: Sven  
  
   
  
  
 King Crimson -- Frame by Frame 
  
  
  
 This is the 7/8 guitar part that Belew plays during the singing: 
  
 ----------------!----------------!--      ----------------!---------------! 
 ----------2-----!----------2-----!--      ----------2-----!---------2-----! 
 --2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---! 
 ----4---4-----4-!----4---4-----4-!--      ----3---3-----3-!----3---3----3-! 
 ----------------!----------------!----    ----------------!---------------! 
 ----------------!----------------!-       ----------------!---------------! 
  
  
 ----------------!----------------!----------------! 
 ----------2-----!----------2-----!----------5-----! 
 --2---4-----4---!--2---4-----4---!--5---7-----7---!  repeat the same pattern 
 ----2---2-----2-!----2---2-----2-!----7---7-----7-!  at the 5th fret. 
 ----------------!----------------!----------------! 
 ----------------!----------------!----------------! 
  
 The fripp line on top of the belew 7/8 is basically the same riff in 
 alternating bars of 6 and 7, but KEEPING THE SAME 8th note value.  
 This produces the funky intervals you hear... and you thought it 
 was a delay! (I know *I* did first time I heard it... 8-)). 
  
 ------------------|---------------| 
 ------------2-----|----------2----| 
 --2---4-------4---|--2---4--------| 
 ----2---2-------2-|----2---2---2--| 
 ------------------|---------------|  etc. over the 7/8 above... 
 ------------------|---------------| 
  
  
 The chording during fripps' wacked out picking in the intro and  
 between verses seems to be a barred 9th chord, dropping the  
 unison on the G string to the major 7th, ie 
  
 --2-----2--2----| 
 --2-----2--2----| 
 --4-----3--4----| 
 --4-----4--4----| 
 --2-----2--2----| 
 --2-----2--2----| 
  
 with appropriate whammy bar antics for the first chord, then up to a 
 Dsus2 (5th & 7th fretts) then again another 3rd.   
  
 Oh yeah, when the 13/8 and 7/8 fall back together, they play for 
 about 3 bars both in 7 *then* drop the bass note as noted above. 
  
 Some one is yet to figure out the "wacked out fripp part". 
  
  
  
  
  
  
 Date: Tue, 6 Feb 1996 11:39:02 -0500 
 From: Taylor Sherman  
   
    
 Subject: TAB: Frame_by_frame by King Crimson 
  
 This was originally posted by Sven  
    
    . 
 Excellent work on the 13/8 part, but I found a small error in the 
 second change of the 7/8 part: Instead of the second note in each  
 measure moving down another half step, the first note moves down a  
 half step.  I've also made some headway into the "Wacked out Fripp part." 
  
 	-Taylor Sherman 
  
 King Crimson -- Frame by Frame 
  
  
  
 This is the 7/8 guitar part that Belew plays during the singing: 
  
 ----------------!----------------!--      ----------------!---------------! 
 ----------2-----!----------2-----!--      ----------2-----!---------2-----! 
 --2---4-----4---!--2---4-----4---!- etc...--2---4-----4---!--2---4----4---! 
 ----4---4-----4-!----4---4-----4-!--      ----3---3-----3-!----3---3----3-! 
 ----------------!----------------!----    ----------------!---------------! 
 ----------------!----------------!-       ----------------!---------------! 
  
  
 ----------------!----------------!----------------! 
 ----------2-----!----------2-----!----------5-----! 
 --1---4-----4---!--1---4-----4---!--5---7-----7---!  repeat the same pattern 
 ----3---3-----3-!----3---3-----3-!----7---7-----7-!  at the 5th fret. 
 ----------------!----------------!----------------! 
 ----------------!----------------!----------------! 
  
 The fripp line on top of the belew 7/8 is basically the same riff in 
 alternating bars of 6 and 7, but KEEPING THE SAME 8th note value.  
 This produces the funky intervals you hear... and you thought it 
 was a delay! (I know *I* did first time I heard it... 8-)). 
  
 ------------------|---------------| 
 ------------2-----|----------2----| 
 --2---4-------4---|--2---4--------| 
 ----2---2-------2-|----2---2---2--| 
 ------------------|---------------|  etc. over the 7/8 above... 
 ------------------|---------------| 
  
  
 The chording during fripps' wacked out picking in the intro and  
 between verses seems to be a barred 9th chord, dropping the  
 unison on the G string to the major 7th, ie 
  
 --2-----2--2----| 
 --2-----2--2----| 
 --4-----3--4----| 
 --4-----4--4----| 
 --2-----2--2----| 
 --2-----2--2----| 
  
 with appropriate whammy bar antics for the first chord, then up to a 
 Dsus2 (5th & 7th frets) then again another 3rd.   
  
 Oh yeah, when the 13/8 and 7/8 fall back together, they play for 
 about 3 bars both in 7 *then* drop the bass note as noted above. 
  
 Some one is yet to figure out the "wacked out fripp part". 
  
 However, it's based on the following: 
  
 ------------------------------------------------ 
 ------------------------------------------------ 
 ------------------------------------------------ 
 -----5-7-5-------5-7-5-------5-7-5-------------- 
 -5-8-------8-5-8-------8-5-8-------8------------  etc 
 ------------------------------------------------ 
  
 Which modulates up to the 7th fret, then 10th, then 11th. The rhythm 
 is strange, I can't pin down if it's sextuplets, 6 against 4, or what. 
 It seems like he adds some notes sometimes to make things fit in.